I've long loved John Dunne's poems - to the extent that I've commited some to heart. This is the first verse of one of my favourites:
'TIS true, 'tis day; what though it be?
O, wilt thou therefore rise from me?
Why should we rise because 'tis light?
Did we lie down because 'twas night?
Love, which in spite of darkness brought us hither,
Should in despite of light keep us together.
He came up with another good'un when he divorced his wife:
John Dunne,
Anne Dunne,
Undone.
On to the books .....
The Little Prince by Antoine de Saint-Exupéry: A fantastic Christmas present if you need something for kids who think a bit outside the box. Or for adults who haven't completely forgotten the wonder and magic of childhood.
Going Fishing by Negley Farson: Rather a specialist subject, perhaps, but fishing is a sport with a healthy tradition of fine writing behind it. Farson's travelogue with rod is crisply written, characters are drawn deftly and vividly and there are fantastic illustrations by Tunnicliffe as well!
Catcher In The Rye - J.D. Salinger: Included as it was so influential as I grew up - though it never occured to
me to shoot John Lennon.
Othello - William Shakespeare: I probably would have hated it if I'd met it at school, but I worked on a production as an adult and came, in time, to adore it. I'll give any Shakespeare time, now. I loved the fact that two or three lines could mean four or five things depending on the level it was taken or nuance it was given. It can be hard work, but when you grasp just a fraction of the multiplicity of meanings the man crafts throughout this and all his works you begin to realise just why he is considered a genius. I didn't have a clue before I read this.
The production was absolute crap, by the way.
Finally, I'm going to shy away from naming the 5th right now. On the one hand it is 'A Spell For Green Corn' by George McKay Brown, a magical tale from Orkney based on fact, but out of print, so who who reads this will ever know how great it is? If you have access to a good library, get it. It isn't long or demanding, just awe inspiring.
On the other hand it's 'Tess' and Hardy's phenomenal usage of Fate to twist his plots and my emotions. Or it's the Icelandic/Norse Sagas; Kidnapped; Jack London's 'The Iron Heel' (London gives Orwell a run for his money any day!), Camus' 'The Outsider' - "My mother died today, or was it yesterday? I can't remember.'' (good topic for a new thread - 'Great First Lines'!

); Conrad's 'The Heart of Darkness', "the Horror, the Horror",

, aye, that's a good read .... No, the list cannot be limited, so I'd best just stop.