As requested Fancy Dan. Yes, Rififi is a rare jewel of a film. The mother of all caper movies, it combines the hard edge of American Film Noir with the existential French touch to create a low budget masterpiece, dripping with icy atmosphere. There is so much to love. The masterfully filmed rain-drenched, shadow rich streets of Paris, where the sun never shines, the wonderful musical number of the title track in a Paris night club, and of course the jaw dropping, must be almost a half hour long, totally wordless scene in which the four professional thieves break into the jewelry store, disarm the alarm and extract the goods. Very, very classy. Makes far more expensive knockoffs like the Oceans 11 franchise look groping and amateurish by comparison. And I haven't even mentioned the honour among thieves theme, the kidnapping or the interaction between the heist crew. Then of course there are the stories about the gifted director, Jules Dassin, who plays the Italian safe cracker, and was blacklisted from Hollywood as a 'Communist' and for refusing to rat out his friends. Jobless for 5 years until hired to make this film on a measly $200,000 budget. Talk about VFM! I also enjoyed the first half of my double bill, the 2002 South African film Tsotsi, about the redemption of a young Soweto tough.
Here's the nightclub scene, sans subtitles.
http://www.youtube.com/watch?v=HMp4WTBdKKgThanks for the recommendation, my friend, which I heartily second. I enjoyed the Criterion Collection extras, like the extended interview with Dassin 45 years afterwards, and plan to watch the film again before returning it to the library. Tonight's Pouzar summer international film fest features Vittorio De Sica's followup to the incomparable Bicycle Thieves, called Umberto D, the story of a lonely Italian pensioner in the post war years. Apaprently another jewel of Italian neorealism. Saturday's feature? The Romanian black comedy, The Death of Mr. Lazarescu. Courtesy once again of the Edmonton Public Library.