Spencer4 wrote:
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Sorry, I don't mean to sound so negative, I think the problem is that here you are showing the best 20 pix from India and they don't really do justice to the potential of the place or your visit there.
Don't apologise, Spencer, I'm interested in your honest criticism, and all others.
The India portraits almost always came via a request from the individuals who wanted their picture taken. I think that the water porter (with the bamboo pole) and the happy monk were the only two I asked to photograph. I'm rather camera-shy myself so don't like to inflict the lens on others! Frequently, though, smiling people would ask me to take a snap - then look really serious!
Here are a few more of the porter so that you can see a wider shot. Unfortunately, the first is rather soft. The next is the uncropped original of the one I used:
http://www.flickr.com/photos/jamesbarlo ... 601428299/I'd stopped and talked with him (via my guide) and was immensely impressed by his grace, his humble dignity and the sincerity in his eyes. His job is to carry water up a few hundred steps to a ruined fort, then about a mile more to a monastery, trip after trip, day after day, year after year, in order to send his two girls to school. If you look again (view the Original size
here) you'll see that he's not actually smiling, though I appreciate that initially his taut cheekbones might give that impression. It's his eyes that are the essence of the shot for me. They're penetrating, addressing me directly.
I appreciate, though, your point that I've cut it too much in order to focus on his gaze. Perhaps the original says more as you see his garb and one of the water urns?
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I actually get the feeling that there was just too much going on, too many visual stimuli, that you've struggled to focus on one thing and have ended up spreading your attentions too thin.
Well, that's certainly true - these are, essentially, my holiday snaps!
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That said, this one nearly works:
http://www.flickr.com/photos/jamesbarlow/5375028513/ It's a nice shot, but they are just not interesting enough to justify the setting and all the detritus around them makes it look rather rushed.
That's the trouble with India - detritus is EVERYWHERE. The cupola to the left is part of the Taj Mahal, the Jewel in India's Crown, yet the surrounds are filthy. Look at the river bank behind them - strewn with rubbish. That is part of the appeal of this shot to me - 5 bright, clean, healthy young ladies feeding the fish (a religious act) below the Taj - surround by shit. Very 'India', I hoped.
I appreciate, though, that if you had to be there to 'get it' then the shots, or more properly, I, fail.
Don't ease up on the criticism, mate. It is much appreciated!
Stanley Smith: Thanks for the link to your Flickr site. That's very interesting work you're doing.
'Rain on the Downs' appeals to me very much, as do 'Rook on Pole' and the two 'Misty Hills', and 'evening swimmers' has almost an Impressionist feel to it - plus a hint of a hundred years of nicotine staining!
Other landscapes put me in mind of Andrew Newell Wyeth, the American realist painter, for their haunting, soft light and palate. I liked 'st lukes', too, very much. Very simple. Almost childlike - suitably enough!
Thanks for the show!